Abstract
Abstract
The article proposes to explore the relationship between collective memories, archives, and literary writing through a comparative reading of the narrative procedures present in Horacio Castellanos Moya’s Insensatez and Nona Fernández’s La dimensión desconocida. In particular, it analyzes how both novels cite and re-elaborate testimonial archives and introduce aesthetic and political reflections on the narration of memory. First, a brief genealogy of testimonial writing in Latin America is reconstructed to determine the forms of generic re-elaboration that the novels by Castellanos Moya and Fernández execute. Second, the relationship between writing and memory proposed by each of the texts is analyzed. The conclusions present a reflection on the resignification of the testimonial word in both novels.
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@article{Cabrera2026Escritura,
title = {Escritura metatestimonial y poéticas de la memoria: Insensatez de Horacio Castellanos Moya y La dimensión desconocida de Nona Fernández},
author = {Federico Cabrera},
journal = {Perífrasis Revista de Literatura Teoría y Crítica},
year = {2026},
doi = {10.25025/perifrasis202617.39.01},
url = {https://doi.org/10.25025/perifrasis202617.39.01}
}
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