Batida do Gueto and the Genealogy of Descompasso: Peripheral Electronic Music and the Politics of Postcolonial Belonging in Lisbon

Abstract

Abstract

This article analyzes the creative and social practices surrounding batida do gueto (ghetto beat), an emerging Afro-diasporic electronic music genre developed by Lisbon’s peripheral youth. Drawing on extensive ethnographic fieldwork conducted in 2025—including participant observation in home studios, semi-structured interviews, and digital netnography—this study explores how young Afro-descendant DJs transform digital music production software, specifically FL Studio, into technologies of postcolonial belonging. The discussion is structured around three main dimensions: first, the emergence of the “Fox clan,” a symbolic kinship network and musical lineage built through peer-to-peer knowledge transmission; second, the analysis of home studio musicking, highlighting the emic category of descompasso (rhythmic micro-displacement) as an esthetic and identity element that encapsulates postcolonial experiences of racialization and displacement; and finally, the urban and transnational circulation of batida do gueto through parties that challenge the boundaries between peripheral neighborhoods and Lisbon’s central neighborhoods. By bringing digital musicking into dialog with contemporary debates on the Black Atlantic and the politics of belonging, this article argues that the sonic subversions embedded in the genre operate as crucial resources of contestation, allowing peripheral youth to claim spatial visibility, citizenship, and historical recognition within contemporary Portuguese society.