Abstract
Abstract
This article examines how the physical layout of craft workshops in Jaipur, India, supports artisans and learners in learning and passing down their craft skills. Most of the time, research is done on the object, not on the space where the craft is built or made, or where the actual learning happens. This study discusses how space is used as a learning corner and seeks to address that gap. After field visits to nine workshops in Jaipur, three crafts were observed and studied during this research: block printing, rug-making, and bangle-making. The findings show that workshop layouts are not merely practical arrangements but are structured to enable younger artisans to learn by observing experienced artisans. In the block printing workshops, the open courtyard layout uses natural sunlight and water flow to organize the entire work process. In rug-making, the loom’s position teaches posture, and the repetitive process of rug-making is reinforced by being fixed in one place. In bangle-making, artisans sit in a circle around the furnace, keeping everyone safe and allowing constant watching and learning. The article uses the idea of a “living museum” to describe these craft workshops. These craft workshops are not places where things are displayed, but where knowledge stays alive and is passed down through observation and making, as artisans continue practicing the craft together in the same space. The argument is that if we want to preserve traditional crafts, we need to protect not just the skills and products but also the workshop environments where those skills are kept alive and taught to the next generation.
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@article{Vallabhajosyula2026Spaces,
title = {Spaces of Making},
author = {Manikya Sai Tejaswini Vallabhajosyula and Chanjuan Chen},
journal = {The International Journal of Social Sustainability in Economic Social and Cultural Context},
year = {2026},
doi = {10.18848/2325-1115/cgp/a274},
url = {https://doi.org/10.18848/2325-1115/cgp/a274}
}
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