Latin American Literature Studies
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Abstract
Abstract
This article analyzes the gesture of “exiting” institutional art in the final works of Alberto Greco and Osvaldo Lamborghini: the Gran Rollo Manifiesto del Arte Dito (c. 1963) and an unpublished notebook (c. 1984). The objective is to examine how these material supports subvert “High Literature” through an "undisciplined” praxis that confronts the apparatus of language. The methodology employs a comparative and transdisciplinary approach, grounded in concepts by Giorgio Agamben (contemporaneity), Gilles Deleuze (thought without images), and Jacques Lacan (lituraterre). It concludes that both works operate as apparatuses for the reformulation of classical canons, proposing a radical artistic research that remains at the level of sensible experience and the alphabet, transforming error and unspecificity into a form of contemporary knowledge.
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@article{Prez2026Demasiado,
title = {“Demasiado arte / habrá que irse / a otra parte”. Chau,adiós, Gran Literatura. Sobre un pergamino (c. 1963) deAlberto Greco y un cuaderno (c. 1984)de Osvaldo Lamborghini},
author = {Agustina Pérez},
journal = {Perífrasis Revista de Literatura Teoría y Crítica},
year = {2026},
doi = {10.25025/perifrasis202617.39.03},
url = {https://doi.org/10.25025/perifrasis202617.39.03}
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